I am happy to invite you to a showing of an excerpt of my work "37" at Tanzfestival Rhein-Main in the frame of "Choreographische Werkstatt":

37 is a solo which deals with the relation between the concrete space and the concrete body, between watching and being watched and the always-already absent present. It takes place in the left-overs of the performance before which stays present in the traces of the past and as an imagination of some thing which is still to come. The grey in the space takes over, everything is in between. The spectator experiences 37 minutes of form and movement in different scales and distances and a dance which leaves behind the blurred outlines of what is not present.

https://www.tanzfestivalrheinmain.de/de/kalender/choreografische-werkstatt/

Dance Project
by Carina Premer with dramaturgical support by Anneliese Ostertag and Hanna Steinmeier

Past Performances

• 2019-11-03, Staatstheater Darmstadt – Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt

ABRUPT is the solo-musicproject of Sara, the drummer of La Sabotage.
Don't miss the two upcoming shows in Austria:

12/12/2019 - VIENNA - Venster 99 - Falle [Tape Release] /w Sektstress. Abrupt.
FB Event: https://www.facebook.com/events/432341040805768/

12/19/2019 - LINZ - KAPUBar - Taperelease by States of Clay // Support by Johnny Geiger + Abrupt

Abrupt Music Channel
https://soundcloud.com/abruptchannel

Concert
by Sara Trawöger 

Past Performances

• 2019-12-12, Vienna - Venster 99
• 2019-12-19, Linz - KAPUBar

Analog 
Beschreibung 
Conny
Edding
Frithjof
Haus ohne Garten
Inschriften
Karte
Kante
Kontur
Leer
Legende
Legenden
Lonesome tree
Maria
Menschlos
Öffentlichkeit
Stille Örtchen
Pixel
Das Private ist Politisch
Realismus
Regeln
Route
Structures
Suche
Teile(n)
Wenn ich gehen, dann wohin
Zerfall
Zuhause

Installation
by Maria Huber, Conny Walter, Frithjof Gawenda 

Past Performances

• 2019-05-29, Prototyp

Dust everywhere. In the cracks of computer keyboards, on the leaves of our houseplants, in the fabric of your finest dress. No matter how often we remove it, it returns and reminds us how all living things turn into dust.
äöü takes a close look at this dirty, grey and tiny archive of our everyday life and transfers it into the vacuum cleaner bag "Black Box". They present a piece about nothing less than the great questions of form and content, life and death, magic and labour.

www.aeoeue.de

Performance 
by Konzept + Performance: äöü (Patricia Bechtold, Johannes Karl) / Bühne + Kostüm + Performance: Eunsung Yang / Spezialeffekte + Performance: Carlos Franke / Dramaturgie: Franziska Schneeberger / Mentorat: Frauke Meyer / Foto: Franziska Schneeberger

Past Performances

• 2019-10-26, premiere , Theater im Ballsaal Bonn, Frongasse 9, 53121 Bonn
• 2019-11-15, final project , Studiobühne Köln, Universitätsstraße 16A, 50937 Köln
• 2020-01-10, final project , FFT Düsseldorf, Kasernenstraße 6, 40213 Düsseldorf
• 2020-02-28, final project , studioNaxos Frankfurt
• 2020-02-29, final project , studioNaxos Frankfurt
• 2020-03-01, final project , studioNaxos Frankfurt
• 2020-09-12, final project , FAVORITEN FESTIVAL, Theater im Depot Dortmund
• 2020-09-13, final project , FAVORITEN FESTIVAL, Theater im Depot Dortmund

2nd of December till 6th of December 2019
ATW, Justus-Liebig University Giessen
@ the Georg Büchner Saal, Bismarkstr. 37, 35390 Gießen

Autumn school is part of the research network on the future of imaginary institutions, which was established by several partners (EEPAP, Lublin, Nomad Dance Academy Ljubljana, Institute for Applied Theatre Studies, Justus Liebig University, Giessen, BADCo, Zagreb, CollectivA, Cluj, Lokomotiva Skopje) and is supported by the Allianz Stiftung.

We are inviting young artists, students, professionals, writers and thinkers to engage together in the imagining of the alternatives of working and being together, reacting to the populist and nationalist wave in Europe. We would like to examine new institutionalization, practices and modes of producing, especially related to the work of the young artists, who are working in the increasingly but also precarious international field and at the same time fighting for the right to work and remain in their local surrounding, fighting nationalism and populist pressure. We will exchange and share models and practices, current and historical one, which insist on the creation of experiments, feminist, radical and progressive practices, which insists on equality, solidarity and work against the populist political imagination.
The school is developed as a platform, where young artists and students, who are at the end of their studies or just finished, can meet other cultural workers and thinkers, who have a strong political and social agenda. How to discuss about the political and cultural needs together, how to practice solidarity, support and inclusion? How to think about the internationalization in the time, which is marked by a flow of commodities and neo-liberal globalization? What does it mean to work and study internationally in the time of the art market and its accelerated modes of evaluation? Can we develop new temporal modes of working and thinking and how can we learn from each other?

Participants: The participants will be, among others, Dragana Alfirević, Miki Braniste, Ana Dubljević, Ida Daniel, Valeria Graziano, Viktorija Ilioska, Goran Injac, Katarzyna Kania, Marta Keil, Joanna Krakowska, Romuald Krężel, Bojana Kunst, Livia Piazza, Iulia Popovici, Goran Sergej Pristaš, Tanja Šljivar, Solidarity for Theatre, Swoosh Lieu, Biljana Tanurovska-Kjulavkovski, Zrinka Užbinec, Rok Vevar, Ana Vujanović.

Please note that some seminars and discussions are public and others are closed. Check our timetable for further information.

Lecture
by Prof. Dr. Bojana Kunst and students 

Past Dates

• 2019-12-02, Georg Büchner Saal, Bismarckstr. 37, 35390 Gießen, JLU
• 2019-12-03, Georg Büchner Saal, Bismarckstr. 37, 35390 Gießen, JLU
• 2019-12-04, Georg Büchner Saal, Bismarckstr. 37, 35390 Gießen, JLU
• 2019-12-05, Georg Büchner Saal, Bismarckstr. 37, 35390 Gießen, JLU
• 2019-12-06, Georg Büchner Saal, Bismarckstr. 37, 35390 Gießen, JLU

der grosse tyrann (the great tyrant) is a feminist performance collective made up of Liliane Koch and Maude Hélène Vuilleumier that deals with feminine self-staging and self-presentation in a humorous way. In AVE MARIA, der grosse tyrann goes out in search for the most holy of feminine idols, the most portrayed woman in the world: Maria. They begin to investigate their own behavioural patterns. 

Hail Mary, full of grace, blessed are you among women. You are written into me, a Western-Christian influenced woman. You are the idol that I never wanted, the mother, that I never asked for. You gave me my endless empathy, my acquiescence and the beguiling smile with my head tilted at an angle. But have you ever laughed properly? And what will we find, when we look under your royal blue skirt? Holy Mary, pray for us sinners who love to sin. Now and in the hour of our death. Amen.

Performance
by der grosse tyrann

Künstlerische Leitung: Liliane Koch und Maude Hélène Vuilleumier
Von und mit: Katja Brunner, Marlena Kellogg, Liliane Koch, Sophia Scherer, Maude Hélène Vuilleumier
Musik/Komposition: Bruno Tambascio Waine
Konzept und Song: Magda Drozd
Entwicklung: Timo Krstin
Outside Eye: Benedikt Grubel, Timo Krstin
Licht, Ton: Frithjof Gawenda
Lichtkonzept: Robert Zeigerman
Gefördert von: Hessische Theaterakademie, Gerda Weiler Stiftung, Kulturamt Gießen, Justus-Liebig-Universität, Institut für Angewandte Theaterwissenschaft, Waggonhalle Marburg

Past Performances

• 2019-06-16, final project , F°LAB Festival, Frankfurt LAB

How does decolonizing the personal and collective intimacy sound like?

Touching – an act of transmission – has become somewhat desensitized, associated with boundaries and relegated to the negative. Being With Sound Through The Tension Of Desire is a work that attempts to reappropriate touch and to celebrate inter-dependency, vulnerability, closeness, disorientation, and trust, as forms of collective decolonial resistance.

Two bodies will compose, perform and deconstruct sound through the use of touch as a primary compositional element, asking itself in the process - how touch can be decolonized and reclaimed as a form of care, connection and transmission, a positive reinforcement, a constructive act that surpasses the purely physical spheres, an act which in such a context is undeniably political.

Performance
by Nguyễn + Transitory (Nguyễn Baly und Tara Transitory) 

Past Performances

• 2019-01-26, SAVVY Contemporary, Berlin

Puppet theater
by F. Wiesel (Hanke Wilsmann & Jost von Harleßem)/ Performance: Stephan Dorn / Sounddesign: Rupert Jaud / Künstlerische Mitarbeit Bühne: Ute Freitag, Friederike Schmidt-Colinet / Künstlerische Mitarbeit Figurenspiel: Caroline Kühner / Kostüm: Sandra Li Maennel /Medien-Skulpturen: Alexander Buers / Produktion: Heidrun Schlegel 

Past Performances

• 2019-04-27, Künstlerhaus Mousonturm,Frankfurt am Main
• 2019-04-28, Künstlerhaus Mousonturm, Frankfurt am Main
• 2019-04-29, Künstlerhaus Mousonturm, Frankfurt am Main
• 2019-09-12, Theater Roxy Birsfelden/Basel
• 2019-09-13, Theater Roxy Birsfelden/Basel

The work "Bird Bird, Touch Touch, Sing Sing" celebrates inter-dependency, vulnerability, closeness, disorientation, and trust, as forms of collective decolonial resistance.

A quiet coup attempting to displace the structural imbalances, to disorientate geographies, and to find space for silenced narratives. An (auto)reflexive re-evaluation of the unquestionable hierarchy of values imposed unto Us, a living work which attempts to embody extantation – to persist on existing despite conditions that favour its imminent extinction. In this work, the performers attempt to create another reality - through touching, proximity, and movements, that is not pre-choreographed but created in the moment by the circumstances within the process of creating the sound and by the movements of the performers+audience becoming a collective body - a space of disassociation unloaded with the social constructs associated with the politics of touch found in the modern world and the geography associated with it. Where to choreograph, compose and perform in this case, goes beyond the narrow confines of artistic concepts and aesthetics, existing in both the space of the ethereal and the space of an immersive installative performance. To process feelings, thoughts and intentions on the peripheral spectrum between the knowing and the unknowing, Nguyễn + Transitory hope to be one of the few ways left to reconnect with lost magic.

Performance
von Nguyễn + Transitory

Bisherige Aufführungen

• 8.9.2019, Premiere , Performing The Museum 2019, Serralves Museum, Porto
• 20.9.2019, Ultima Festival 2019, Oslo
• 26.9.2019, STUK, Leuven
• 27.9.2019, STUK, Leuven
• 14.11.2019, HeK, Basel

Installation
by die apokalyptischen tänzer*innen 

Past Performances

• 2019-04-11, THEATER RAMPE Stuttgart im Rahmen des 6 Tage Frei Festivals
• 2019-04-12, THEATER RAMPE Stuttgart im Rahmen des 6 Tage Frei Festivals

The music theater piece "Castor&&Pollux" interconnects Jean-Philippe Rameaus baroque opera telling the ancient myth on the love between two siblings and their wish for immortality with its contemporary counterpart from the tech-utopias deriving from the Silicon Valley. A multi media piece on desire, hybris and companionship with film sequences and spacial sound composition (4DSound) by Lukas Rehm (music, video, conception), Lisa Charlotte Friederich (staging, libretto, conception) and Jim Igor Kallenberg (dramaturge, interviews, conception). www.castorundundpollux.de

Production
by Lisa Charlotte Friederich (MA ATW), Jim Igor Kallenberg, Lukas Rehm (Diplom, HfG Karlsruhe) 

Past Performances

• 2019-04-02, final project , Alte Aula Heidelberg
• 2019-04-03, final project , Alte Aula Heidelberg
• 2019-04-04, final project , Alte Aula Heidelberg
• 2019-04-05, final project , Alte Aula Heidelberg
• 2019-04-06, final project , Alte Aula Heidelberg
• 2019-04-07, final project , Alte Aula Heidelberg

I will break it down with an example. Your phone rings in the middle of the night and a machine made voice is saying: I’m gonna kill you in less than 5 minutes with a gun!
Which one is more important for you: staying alive or understanding who’s voice it is?
„Clap Hands! – how to disappear completely“ is a theatre machine which is developed and organized to become an artist itself and make theatre without demand. It will transform electric intensity into an artistic approach.
Duration: ca. 40 minutes
With: Ozi Ozar, Carina Premer

Performance
by Carina Premer 

• Past Performances
• 2019-05-31, GBS

A lecture-performance fruit of the collaboration between Li Lorian (Jerusalem) and Marc Villanueva Mir (Barcelona). What starts as a lecture on spatial conceptualization of utopian and dystopian thinking, transforms into a travel through personal archives, political statements, accents, screenshots, bookmarks, subtitles and voice-overs. Correspondence #1 aims to draw a visual and conceptual journey between Jerusalem, Barcelona and Gießen; a collage of memories, observations and representations of the multiple and complex realities we inhabit and that at the same time inhabit us.

Performance
by Li Lorian & Marc Villanueva Mir 

Past Performances

• 2019-02-02, FACT - Festival of Theatre Academies, Budapest, Hungary
• 2019-02-21, Teatro Pradillo, Madrid, Spain
• 2019-02-22, Teatro Pradillo, Madrid, Spain
• 2019-02-23, Teatro Pradillo, Madrid, Spain
• 2019-06-08, Städtische Galerie Bremen · Outnow! Festival

Cowgirls Cindy, Mindy and Pindy don't know what to do anymore- besides their efforts they are receiving one rejection after an other. Big City Cowgirl Cindy wonders around town while Pindy finds mysterious hints which lead nowhere in the prairie of Hessen, Mindy is on her way to France where she got a big funding for her film- but what will await her there? How do the three lonely Cowgirls handle their situations or was it all an imagination in the end?

language: german
duration: 45 min

Film
by Stella Nikisch Mit: Nathalie Schatz, Carlotta Nikisch, Stella Nikisch, Friederike Moraht, Luis Krawen, Valentin Schroers, Mark Waschke, Julian Hölting, Lucie Finke, Thao Tran, Leonie Hahn, Nikolas Stäudte, Ursel Hocke und Ralf Nikisch. 

Past Performances

• 2019-12-10, final project , Moviemento Berlin (Kottbusser Damm 22, 10967 Berlin)

Perde | Curtain | Vorhang - Annika Restin & Tümay Kılınçel
@ BIOWOMAN #12 - RITUAL: 29.03.19 - 06.04.19
06/04/19, 7pm - 2am @ Nacht der Museen Düsseldorf
http://www.christuskirche-duesseldorf.de/
https://www.facebook.com/biowoman12/

Exhibition
by Annika restin & Tümay Kılınçel 

Past Performances

• 2019-03-29, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-03-30, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-03-31, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-01, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-02, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-03, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-04, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-05, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-06, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-06, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf

Performance
by Ruby Behrmann/ Liliane Koch 

Past Performances

• 2019-02-15, premiere , Mousonturm

*

The project Dansöz aims to locate ‘oriental dance(s)’ as a serious dance genre in the Western European art landscape and to develop an artistic positioning to it. The ‘belly dance’ is its central motif, including, among other things, the orientalist, eroticized and exoticized image of women and its detoxification from a feminist perspective. The aim is to create a space and a language of self-empowerment based on the ‘belly dance’ style and to bring it to the agenda of the dance scene as a ‘serious’ and/or ‘artistic’ and emancipated dance genre. 

Artistic Direction & Performance: Tümay Kılınçel
Dramaturgy: Berna Kurt
Outside Eye: Sherin Hegazy
Light Design: Camilla Vetters
Musik: Ya Tosiba
Live Musik: Leila Moon
Technical director: Jost von Harleßem
production: Eva Kern (produktionsDOCK)

Treibstoff Theatertage Basel, Kaserne Basel
Thursday, 29th August 2019, 7pm Premiere
Saturday, 31st August 2019, 9pm
Sunday, 1st September 2019, 5pm

-> 
http://produktionsdock.ch/projects/dansoez/
http://www.treibstoffbasel.ch/

Performance
by Tümay Kılınçel 

Past Performances

• 2019-08-29, premiere , Treibstoff Festival - Rossstall Kaserne Basel
• 2019-08-31, Treibstoff Festival - Rossstall Kaserne Basel
• 2019-09-01, Treibstoff Festival - Rossstall Kaserne Basel

Production
by Glogowski / Hoesch 

Past Performances

• 2019-04-11, Stadttheater Gießen, taT
• 2019-04-26, Stadttheater Gießen, tAT
• 2019-05-16, Stadttheater Gießen, tAT

Performance
by maxi zahn erarbeitet in zusammenarbeit mit: maximilian brands, jens eschert, sharon jamila hutchinson, eva königshofen text: maxi zahn kostüm: kristin gerwien musik: harold, falko schnelle, sara trawöger 

Past Performances

• 2019-07-12, final project , Georg-Büchner-Saal Gießen
• 2019-07-13, final project , Georg-Büchner-Saal Gießen

- eine begehbare Audioinstallation im TNT vom 28.6.-14.7.
Fr/Sa 28./29.6. und 5./6.7. und 12./13.7 jeweils 19-22 Uhr
So, den 7. und 14.7. jeweils 16-19 Uhr

Installation
by Eine Produktion des TNT Marburg, von und mit Katrin Hylla, Ole Wufers, Doreen Kutzke u.a. 

Past Performances

• 2019-06-28, TNT Marburg, Afföllerwiesen 3 A, 30839 Marburg