www.facebook.com/buergerbuehnewipfeld

Production
by Corinna Huber (Dramaturgie), Ralf Schramm (Bühne), Max Sauer (Inszenierung) mit Bürger_innen aus Wipfeld | Ein Projekt der Bürgerbühne Wipfeld 

Past Performances

• 2018-06-09, premiere , Marktplatz Wipfeld

Mit freundlicher Unterstützung der Stadt Gießen, Stadt Frankfurt, HTA, Mousonturm.Im Rahmen des Tanzfestival Rhein-Main.

Performance
by Künstlerische Leitung: Kristin Gerwien. Performance: Philip Albus, Antonia Beeskow, Kristin Gerwien, Clara Reiner, Sara Trawöger. DJ: OneMoe, Licht: Lea König, Mitarbeit Licht: Jakob Boeckh, Maria Huber. Mitarbeit Bühnenbild: Till Korfhage, Sara Trawöger, Tontechnisches Konzept: Jörn Nettingsmeier. Inhaltliche Begleitung / Dramaturgie: Hanna Steinmair. Produktionsleitung: Martin Bien. Bildmotiv: Luis August Krawen 

Past Performances

• 2018-11-10, premiere , Frankfurt LAB, Halle 2
• 2018-11-13, Frankfurt LAB, Halle 2
• 2018-11-14, Frankfurt LAB, Halle 2

Lecture
by Prof. Heiner Goebbels

Past Dates

• 2018-04-10, Special Occasion , Biologischer Hörsaal (Raum 232), Hauptgebäude der JLU, Ludwigstr. 23, 35390 Gießen

From the outside, A B S A T Z 
is a box. It invites you to discover its monolithic architecture. Inside, there is intimate quiet solitude. If you follow the pull of light, you can meet the protagonist from Kafka's story „The Cares of a Housefather", the word O D R A D E K. It scurries through the picture, rustles in the wall, tells its story and demands a turnaround at the end. The whole thing looks senseless enough, but in its own way perfectly finished.

walk-in installation for one person // in german // duration per visitor: 10 minutes

construction: Simon Oehrle // technicians: Florian Dobener, Asja Mahgoub

HTA Tag
by äöü (Bechtold, Karl) 

Past Performances

• 2018-10-20, HTA Tag | Frankfurt LAB

Performance
by Kozept, Regie, Performance, Text: Dorn ° Bering (Stephan Dorn und Gesa Bering) | Ausstattung: Kathi Sendfeld 

Past Performances

• 2018-07-04, Belluard Bollwerk Festival | Fribourg (Schweiz)
• 2018-07-05, Belluard Bollwerk Festival | Fribourg (Schweiz)

Audio Play
by Matthias Jochmann

Past Performances

• 2018-06-06, premiere , Rundfunk Berlin-Brandenburg

ATW TALKS
WED 7/3/2018
6:00 PM
A 118

ALICE CHAUCHAT, VALENTINA DESIDERI, AND GEORG DÖCKER
TALK ABOUT THE PRACTICE OF PRACTICE

Roughly since the mid-2000s, French choreographer Alice Chauchat and her Italian colleague Valentina Desideri, along with other practitioners such as Jennifer Lacey or Myriam Lefkowitz, have been engaging in the creation and sharing of performative practices. Being organised in the form of a loose, open network, they have been using the frameworks of workshops, residencies, and similar formats in order to develop a mode of performative exploration that is no longer centred around the idea of performance as in presenting an event to an audience. Instead, their practices aim at the facilitation of an aesthetic, ethical, or socio-political experience based on two or more participants unfolding mostly task-based actions in direct exchange with each other.

Although their approaches are situated at the margins of the contemporary performing arts, they have proven to be influential for a younger generation of graduating students who, these days, equally seem to question the very value and purpose of performance making. In a conversation with ATW member of staff Georg Döcker, Alice and Valentina will discuss the beginnings of their working with practices as well as their opinions on the further potential of practice-based work.

***

Taking place in a monthly interval since the end of 2015, the ATW TALKS are an open format for discussion organised by the ATW, the Institut für Angewandte Theaterwissenschaft, Justus-Liebig-Universität Gießen, Germany. The aim of the ATW TALKS is to create a forum for debating contemporary dance, theatre, and performance, thereby contributing to the academic and artistic discourse in the city, in the Hessian performing arts scene and beyond. What is often considered an advantage of the ATW is equally true for the talks: hidden away from a general public with its necessity for self-representation, the context in Gießen offers a unique possibility for intense, extensive, and critical exchange. Each edition of the ATW TALKS is moderated by members of staff working at the institute. Invitations are extended to artists and academics from the performing arts and affiliated disciplines. The talks are generally conducted in English, on certain occasions though, they might be held in German or French.

***

ATW TALKS, EDITION NO. 20, Wednesday, 7/3/2018, 6:00 PM
Institut fuer Angewandte Theaterwissenschaft, Room A 118
Karl-Gloeckner-Strasse 21, Phil. II, Haus A, D-35394 Giessen
Concept and organisation: Georg Doecker
Moderation: ATW members of staff
More about the ATW TALKS on WWW.ATW-GIESSEN.DE

Lecture
by ATW TALKS 

Past Performances

• 7.3.2018, A 118 

ATW TALKS
EDITION NO. 21
WITH ALEXANDRA BAUDELOT AND BERNHARD SIEBERT
MAY 09, 7.00 PM
OLD UNIVERSITY LIBRARY; ROOM AUB 4
BISMARCKSTRASSE 37, 35390 GIESSEN

“MAKING INSTITUTIONS POROUS” : CONDITIONS FOR THE PRODUCTION OF ART AND THE ART OF PRODUCING — Since 2013, Alexandra Baudelot, together with her colleagues Dora García and Mathilde Villeneuve, is co-director of Les Laboratoires d’Aubervilliers, an arts centre located in the banlieues of the north of Paris—an industrial workers melting pot and immigration hub. This exceptional place for art and research, projects and theory welcomes, as the team puts it, artistic practices rather than artistic disciplines. And more importantly, at les Labos, art is confronted with what happens outside of the artistic context, relating artistic practice to the neighbourhood and to the people who live in Aubervilliers.

In EDITION NO. 21 of the ATW TALKS, Alexandra Baudelot will discuss les Labos’ approach to the production of art and the art of producing with ATW member of staf Bernhard Siebert. The talk will present the institution in Aubervilliers including some of the artistic projects that have been developed at the location in the last years. Moreover, the discussion will aim for more general questions, touching on the possibilities and limits of site-specifcity, on the expectations of artists, producers, and audiences in this context, and on ideal working and co-working conditions for artistic production.

— ATW TALKS EDITION NO. 21 : Wednesday, 9/5/2018 7.00 PM : Institut fuer Angewandte Theaterwissenschaft Room AUB3 Bismarckstr. 37 D- 35390 Giessen : Concept and organisation Georg Doecker : Moderation ATW members of staff 

Lecture
by ATW TALKS 

Past Dates

• 2018-05-09, AUB 4, Bismarckstraße 37, 35390 Gießen

ATW TALKS
EDITION NO. 22
WITH DANIEL BLANGA-GUBBAY
AND BOJANA KUNST

—THE WHITE HOLE AND OTHER STORIES. ALEPPO, A PLATTFORM FOR THE ARTISTIC AND THEORETICAL ENGAGEMENT WITH PERFORMANCE AND POLITICS—

Aleppo is not only the name of a city in Northern Syria, but also that of an independent, Brussels-based performing arts project founded by researcher and curator Daniel Blanga Gubbay. Every season, Aleppo opens a free and public program of artistic interventions, performances, lectures, screenings, and reading groups emerging from a specific question with political relevance. This particular format was inspired by the science-fiction astronomic model of the “white hole,” which, similar to the black hole, denotes a fracture of space, but as opposed to the black hole, the white hole releases energy in a continuous manner instead of absorbing it. The white hole unleashes a stream of unsolved questions from a specific point, around which a series of people might gather.

Starting from this conceptual framework of Aleppo, Daniel Blanga Gubbay will discuss the various activities of Aleppo as well as questions about the institution, the notions of dependency, and time. What are the institutional and temporal preconditions for coming together in order to engage, metaphorically speaking, in the production of white holes? The conversation will be chaired by ATW professor Bojana Kunst.

— ATW TALKS EDITION NO. 22 : Wednesday, 13/6/2018 7.00 PM : Institut fuer Angewandte Theaterwissenschaft : Room AUB4 Bismarckstr. 37 D-35390 Giessen : Concept and organisation Georg Doecker : Moderation ATW members of staff :

Lecture
by ATW TALKS 

Past Dates

• 2018-06-13, ATW

Performance
by Choreographie, Text und Performance: Fabrício Belzoff
Dramaturgie: Florence Ruckstuhl, Leander Ripchinsky
Kostüm und Objekte: Johanne Schröder
Ton: Antonia Alessia Virginia Beeskow
Licht: Jost von Harleßem
Choreograpische An­sprech­part­ne­rin: Zrinka Uzbinec

Past Performances

• 2018-12-12, premiere , taT-studiobühne des Stadttheater Gießen
• 2018-12-13, final project , taT-studiobühne des Stadttheater Gießen

Production
by Inszenierung, Text, Bühne: Jost von Harleßem (ATW) | Musikalische Leitung: Christian Keul | Kostüme, Bühne: Katharina Sendfeld (ATW) | Dramaturgie: Björn Mehlig |Assistenz: Léon Haase (ATW) | mit: Ewa Rataj, Pascal Thomas, Lotta Hackbeil, Sebastian Songin | Schlagzeug: Joe Bonica | Posaune: Andreas Jamin

Past Performances

• 2018-04-12, final project , taT-studiobühne, Stadttheater Gießen
• 2018-04-21, final project , taT-studiobühne, Stadttheater Gießen
• 2018-04-21, taT-studiobühne, Stadttheater Gießen
• 2018-05-13, final project , taT-studiobühne, Stadttheater Gießen
• 2018-05-25, final project , taT-studiobühne, Stadttheater Gießen
• 2018-06-07, final project , taT-studiobühne, Stadttheater Gießen
• 2018-06-21, final project , taT-studiobühne, Stadttheater Gießen

Scenic Project
by Teilnehmer*innen des szenischen Projekts "Choreographing Text - Speaking Dance - Moving Sounds" bei Martina Ruhsam 

Past Performances

• 2018-04-18, tba

A lecture-performance fruit of the collaboration between Li Lorian (Jerusalem) and Marc Villanueva Mir (Barcelona). What starts as a lecture on spatial conceptualization of utopian and dystopian thinking, transforms into a travel through personal archives, political statements, accents, screenshots, bookmarks, subtitles and voice-overs.
Correspondence #1 aims to draw a visual and conceptual journey between Jerusalem, Barcelona and Gießen; a collage of memories, observations and representations of the multiple and complex realities we inhabit and that at the same time inhabit us.
Using the performative power and discourse that both utopia and dystopia nowadays entail, we explore interferences between actual and ideal, politics and literature, reality and fiction, spaces and places, in order to revisit the cities and landscapes we come from and our concerns with them, and to question the role they play in constituting our sense of home and notion of belonging. 
By and with Li Lorian & Marc Villanueva Mir
Dramaturgy Ia Tanskanen
With the support of Festival der jungen Talente, Frankfurter Kunstverein, Gießener Hochschulgesellschaft and Institut für Angewandte Theaterwissenschaft

http://2018.festivaljungertalente.de/

Performance
by Li Lorian & Marc Villanueva Mir 

Past Performances

• 2018-05-04, premiere , Kunstverein Frankfurt
• 2018-05-05, Kunstverein Frankfurt

Performance
by Helen Brecht und Jacob Bussmann unterstützt von: Janina Arendt, Kristin Gerwien, Tanja Kodlin, Maxi Zahn 

Past Performances

• 2018-12-20, ArtLab, Max-Planck-Institut für empirische Ästhetik Frankfurt

Correspondence #1 aims to draw a visual and conceptual journey between Jerusalem, Barcelona and Gießen; a collage of memories, observations and representations of the multiple and complex realities we inhabit and that at the same time inhabit us. Using the performative power and discourse that both utopia and dystopia nowadays entail, we explore interferences between actual and ideal, politics and literature, reality and fiction, spaces and places, in order to revisit the cities and landscapes we come from and our concerns with them, and to question the role they play in constituting our sense of home and notion of belonging. By and with Li Lorian & Marc Villanueva Mir Dramaturgy Ia Tanskanen With the support of Festival der jungen Talente, Frankfurter Kunstverein, Gießener Hochschulgesellschaft and Institut für Angewandte Theaterwissenschaft

Performance
by Li Lorian & Marc Villanueva Mir 

Past Performances

• 2018-10-20, HTA Tag, Frankfurt Lab

Performance
by Dorn ° Bering

Past Performances

• 2018-05-28, premiere , Theater Drachengasse | Wien
• 2018-05-29, Theater Drachengasse | Wien
• 2018-05-30, Theater Drachengasse | Wien
• 2018-05-31, Theater Drachengasse | Wien
• 2018-06-01, Theater Drachengasse | Wien
• 2018-06-02, Theater Drachengasse | Wien
• 2018-06-05, Theater Drachengasse | Wien
• 2018-06-06, Theater Drachengasse | Wien
• 2018-06-07, Theater Drachengasse | Wien
• 2018-06-08, Theater Drachengasse | Wien
• 2018-06-09, Theater Drachengasse | Wien
• 2018-06-12, Theater Drachengasse | Wien
• 2018-06-13, Theater Drachengasse | Wien
• 2018-06-14, Theater Drachengasse | Wien
• 2018-06-15, Theater Drachengasse | Wien
• 2018-06-16, Theater Drachengasse | Wien
• 2018-07-04, Belluard Bollwerk Festival | Fribourg (Schweiz)
• 2018-07-05, Belluard Bollwerk Festival | Fribourg (Schweiz)

Performance
by Harzer/Kleebaur 

Past Performances

• 2018-12-07, TNT, Theater neben dem Turm, german stage service, Marburg, Afföllerwiesen 3a

Desiring Powerlessness and Radical Change
Technologies of Power, Affect, and Judgement in the Dispositifs of Art and Theatre.

International Conference organised by the DFG-funded Research Project "Theatre as Dispositif", Institut für Angewandte Theaterwissenschaft, Justus-Liebig-Universität Giessen

Prof. Dr. Gerald Siegmund, Dr. Lorenz Aggermann, Georg Döcker, M.A.

April 12-14, 2018, Giessen, Germany

Contact: georg.doecker@theater.uni-giessen.de / lorenz.aggermann@theater.uni-giessen.de

No registration required

Location: Margarete-Bieber-Saal, Ludwigstr. 34, 35390 Giessen

Full programme available on https://www.atw-giessen.de/en/research/conferences-symposia/desiring-powerlessness

Lecture
by Prof. Dr. Gerald Siegmund, Dr. Lorenz Aggermann, Georg Döcker, M.A. 

Past Dates

• 2018-04-12, Special Occasion , Margarete-Bieber-Saal
• 2018-04-13, Special Occasion , Margarete-Bieber-Saal
• 2018-04-14, Special Occasion , Margarete-Bieber-Saal

Production
by Laurenz Raschke
Kajetan Skurski


studiobeisel.com

Ketzerbach 42 Marburg

Past Performances

• 2018-10-04, Studio Beisel Ketzerbach 42 Marburg studiobeisel.com

Performance
by Janna Pinsker und Wicki Bernhardt 

Past Performances

• 2018-05-08, Mousonturm, im Anschluss an ROOMS von HELLA LUX
• 2018-05-08, Mousonturm, im Anschluss an Apollon von Florentina Holzinger
• 2018-05-09, Mousonturm, im Anschluss an ROOMS von HELLA LUX
• 2018-05-11, Bockenheimer Depot, im Anschluss an Eislermaterial von Heiner Goebbels, Ensemble Modern, Josef Bierbichler
• 2018-05-18, Bockenheimer Depot, im Anschluss an Out of Order von Forced Entertainment