At all locations of the institute

Please note three installations in advance:

Anne Mahlow und Asja Mahgoub would love to invite two persons at a time to Ballet of Knights at PB2. It could make sense to be a few minutes early. It can be visited on Feb 2nd between 10am and7pm. Please book a timeslot at doodle

http://doodle.com/poll/hnitd5wf2svmtvsu

There is a Walk-in Installation by Marie Meyer & Calendal Klose

Hea®ling Spa . Hea®ling Spa is opening it's doors

on Feb 1st between 4pm and 10pm and

on Feb 2nd between 4pm and 7pm

for only one person at a time. Choose your favourite time slot in the following doodle:

http://doodle.com/poll/2iz2dtw9gupctwnv

Please be at the basement door left side of the Audimax in time. Our staff will pick you up. It will take you about 20 min to experience Hea®ling Spa.

“Seesturm“ nach einem Gemälde von Adam Willaerts a durational loop by Rupert Jaud already opens Feb 2nd already at 6pm at Probebühnchen Schiffenberger Weg.

Scenic Project
by Studierenden des Instituts für Angewante Theaterwissenschaft unter der Leitung von Prof. Heiner Goebbels 

Past Performances

• 2017-02-02, Institut für Angewandte Theaterwissenschaft

Matej Bonin (*1986): “Shimmer II” (2017, world premiere)
Malte Giesen (*1988): “Surrugat/Extension” (2017, world premiere) for large ensemble, piano and keyboard
Ole Hübner (*1993): “Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer” (2017, world premiere) for large ensemble, audio playbacks and live electronics
Vladimir Gorlinsky (*1984): “Hymns and Laylas of Mascow Securalism” (2017, world premiere)
Andreas Eduardo Frank (*1987): “How to pronounce Alpha. Zwischenlaut und Überzahl” (2017, world premiere)

Transit, the passing from one situation to another, the aesthetic or social migration to a new territory which often remains an idea, which is sometimes reached but occasionally remains unattainable. From this year’s International Composition Seminar of the International Ensemble Modern Academy, five very different musical positions of younger composers have emerged: highly individual and idiosyncratic studies of time and space, studies on the constant movement of sounds and people, on changing locations and perspectives.

www.cresc-biennale.de/en/programme/2017-11-26/und-links-das-meer-internationales-kompositionsseminar

An event within the framework of cresc... Biennale für Moderne Musik in cooperation with Allianz Kulturstiftung.

Concert
by Ole Hübner (ATW), Matej Bonin, Andreas Eduardo Frank, Malte Giesen, Vladimir Gorlinsky, Ensemble Modern, Enno Poppe (Leitung), Norbert Ommer (Klangregie)

Past Performances

• 2017-11-26, premiere , Sendesaal des Hessischen Rundfunks Frankfurt am Main

Performance
by M O N S T R A | Künstlerische Leitung: Katharina Speckmann | Spiel: Gesa Bering, Katharina Speckmann | Ko-Regie: Kim Willems | Bühne, Kostüm, Grafik: Ajda Tomazin | Dramaturgie: Arnita Jaunsubrēna | Musik: Figen Aksoy, David Rittershaus |Mentor: Ralf Kiekhöfer (Theater Töfte) | Mitarbeit: Christiane Holtschulte

Past Performances

• 2017-10-15, premiere , Theaterhaus Frankfurt
• 2017-10-16, Theaterhaus Frankfurt
• 2017-10-17, Theaterhaus Frankfurt
• 2017-10-18, Theaterhaus Frankfurt
• 2017-10-19, Theaterhaus Frankfurt
• 2018-04-11, Theaterhaus Frankfurt
• 2018-04-12, Theaterhaus Frankfurt
• 2018-04-13, Theaterhaus Frankfurt
• 2018-04-14, Theaterhaus Frankfurt

Performance
by Thomas Bartling, Jan Gehmlich, Dominik Meder

Past Performances

• 2017-09-23, Ringlokschuppen Ruhr
• 2017-09-24, Ringlokschuppen Ruhr

EDITION NO. 13
WITH MÅRTEN SPÅNGBERG AND BOJANA KUNST
JANUARY 20, 7.00 PM
KIOSK
NEUER KUNSTVEREIN GIESSEN
ECKE LICHER STRASSE, NAHRUNGSBERG
D-35394 GIESSEN

MORE INFORMATION FOLLOWING VERY SOON

WWW.ATW-GIESSEN.DE

Lecture
by ATW TALKS

Past Dates

• 2017-01-20, KIOSK, NEUER KUNSTVEREIN GIESSEN

WED 1/2/2017 / 6.00 PM / A118
VICTORIA PEREZ ROYO AND BERNHARD SIEBERT 
TALK ABOUT 
REINVENTING RESEARCH
ATW TALKS 
EDITION NO. 14
IN COOPERATION WITH
NEUER KUNSTVEREIN GIESSEN

What does artistic research look like in practice? And how, on the other hand, can academic research use artistic strategies to meet artworks? Victoria Pérez Royo, our guest for EDITION NO 14. of the ATW TALKS, has been creating contexts for artists’ research as well as researchers’ art investigations over the last years. At the intersection of politics, dance, performance and visualisation practices, she challenges the position of research itself in order to find a way to discuss productions, and production processes. Let’s talk experimental writing, institutional critique, and Roland Barthes on February 1 at 6.00 PM.

Victoria Pérez Royo is a performing arts researcher based in Berlin, and Madrid. She is the co-director of the M.A. program in Performing Arts Practice and Visual Culture in Madrid, and assistant professor of Aesthetics at the University of Zaragoza. As a guest professor, she has been invited to international B.A. and M.A. programs in the performing arts in Finland, Holland, Germany, Chile, Peru, Costa Rica, amongst others. Perez Royo is a member of the research association ARTEA. Recent publications comprise "Dirty Room" (with Juan Dominguez, in press), "Componer el plural. Escena, cuerpo, política" (with Diego Agulló, 2016), and “To be continued. "10 textos en cadena y unas páginas en blanco" (with Cuqui Jerez, 2012).

ATW TALKS / EDITION NO. 14 / Wednesday, 1/2/2017, 6.00 PM / ATW, Room A 118, Karl-Glöckner-Straße 21, Phil. II, Haus A, D-35394 Gießen

The ATW TALKS are a series of talks and lectures at the ATW, the Institut für Angewandte Theaterwissenschaft at Justus-Liebig-Universität Gießen. They have been taking place in a monthly interval since the end of 2015. The aim of the ATW TALKS is to create a forum for discussions on contemporary dance, theatre and performance, contributing to the academic and artistic discourse at the institute, in the city and in the Hessian theatre landscape. What is often considered an advantage of the ATW, will be equally true for the talks and lectures: hidden away from a general public with its necessity for self-representation, the context in Gießen offers a unique possibility for an open exchange with a critical perspective, for intense and extensive debates. Each edition of the ATW TALKS will be moderated by members of staff working at the institute. Invitations are extended to artists and academics from the performing arts and affiliated disciplines. The talks and lectures will generally be conducted in English, on certain occasions though, they might be conducted in German or French.

In Winter 2016/2017, the ATW TALKS are being organised in collaboration with Neuer Kunstverein Gießen in the frame of Making Theatre Now, a series of events on the aesthetics of production in contemporary performance. Making Theatre Now is kindly supported by Gießener Hochschulgesellschaft and Kulturamt Gießen.

Concept and organisation: Georg Döcker / Moderation: Staff of the Institut für Angewandte Theaterwissenschaft

Lecture
by ATW TALKS

Past Dates

• 2017-02-01, ATW

FRI 2/6/2017 • 4.00 PM • A 118

ATW TALKS
“WITH THE HAIR LOOSE"
DANAE THEODORIDOU AND GEORG DÖCKER
TALK ABOUT DRAMATURGICAL ACTIONS
IN NEOLIBERAL CAPITALISM

From 2013 to 2015, performance maker and researcher Danae Theodoridou, in collaboration with Konstantina Georgelou and Efrosini Protopapa, conducted a practice-based research project entitled „Dramaturgy at Work“ in theatres, universities and alternative spaces all over Europe. Through a series of workshops and discussions, the project explored dramaturgy, its key principles in contemporary practice and its political implications in the context of neoliberal capitalism. The results of the research were put together in a publication which was published under the title The Practice of Dramaturgy. Working on Actions in Performance (Valiz, 2017).

In EDITION NO. 15 of the ATW TALKS, Danae will be in Gießen to discuss the research process and the book with ATW member of staff Georg Döcker. The discussion will give special focus to the political agency of dramaturgy that can be deduced from the etymologically based redefinition proposed by the three researchers: dramaturgy deriving from the Greek terms “drama” (action) and “ergon” (work) constitutes, as they suggest, a process of working on actions and therefore touches economic procedures at its core. What does all that have to do with loose hair? Come and find out on June 2.

ATW TALKS • EDITION NO. 15 • Friday, 2/6/2017 •
4.00 PM • ATW, Room A 118, Karl-Glöckner-Straße 21,
Phil. II, Haus A,D-35394 Gießen

EDITION NO. 15 of the ATW TALKS takes place in the
frame of the festival Theatermaschine

Taking place in a monthly interval since the end of
2015, the ATW TALKS are an open format for
discussion organised by the ATW, the Institut für
Angewandte Theaterwissenschaft, Justus-Liebig-
Universität Gießen, Germany. The aim of the ATW
TALKS is to create a forum for debating contemporary
dance, theatre and performance, thereby contributing to
the academic and artistic discourse in the city, in the
Hessian performing arts scene and beyond. What is
often considered an advantage of the ATW is equally
true for the talks: hidden away from a general public
with its necessity for self-representation, the context in
Gießen offers a unique possibility for an intense,
extensive and critical exchange. Each edition of the ATW
TALKS is moderated by members of staff working at the
institute. Invitations are extended to artists and
academics from the performing arts and affiliated
disciplines. The talks are generally conducted in English,
on certain occasions though, they might be held in
German or French.

Concept and organisation: Georg Döcker
Moderation: Staff of the Institut für Angewandte
Theaterwissenschaft

Lecture
by ATW TALKS

Past Dates

• 2017-06-02, A 118

WED 28/6/2017 • 6.00 PM • A 118
ATW TALKS
HENDRIK FOLKERTS AND BOJANA KUNST 
TALK ABOUT PERFORMANCE AND EXHIBITION, SCORES AND DOCUMENTA 14

For EDITION 16 of the ATW TALKS, we are delighted to welcome documenta 14 curator Hendrik Folkerts in Gießen. Based in Kassel, Hendrik contributes to the exhibition based on his expertise on art practices from Central and Southeast Asia and the Pacific region as well as his longstanding interest in performance, particularly the concept of the score and its capacity to interweave different practices. In a recent article he posited that the score is the element which trans-acts between visual language, enactment, the body, the space, yet it is also something that can be read to enact in a variety of ways. Along these lines, Hendrik and ATW professor Bojana Kunst will debate the particular present relation of performance and visual arts:

How to think about the role of the exhibition in the (re-)enactment of the score and how does the score influence the concept of the exhibition? How does performance re-appear in the scope of documenta? Does the interest in the score correspond to the concept of organising documenta in two cities, that is in Kassel and Athens? Before Hendrik joined the documenta team, he worked at Stedelijk museum in Amsterdam for five years, curating the performance, film and discursive programs. In October 2017, he will start as Dittmer Curator of Modern and Contemporary Art at the Art Institute of Chicago.

ATW TALKS • EDITION NO. 15 • Friday, 2/6/2017 •
4.00 PM • ATW, Room A 118, Karl-Glöckner-Straße 21,
Phil. II, Haus A, D-35394 Gießen

EDITION NO. 15 of the ATW TALKS takes place in the
frame of the festival Theatermaschine

Taking place in a monthly interval since the end of
2015, the ATW TALKS are an open format for
discussion organised by the ATW, the Institut für
Angewandte Theaterwissenschaft, Justus-Liebig-
Universität Gießen, Germany. The aim of the ATW
TALKS is to create a forum for debating contemporary
dance, theatre and performance, thereby contributing to
the academic and artistic discourse in the city, in the
Hessian performing arts scene and beyond. What is
often considered an advantage of the ATW is equally
true for the talks: hidden away from a general public
with its necessity for self-representation, the context in
Gießen offers a unique possibility for an intense,
extensive and critical exchange. Each edition of the ATW
TALKS is moderated by members of staff working at the
institute. Invitations are extended to artists and
academics from the performing arts and affiliated
disciplines. The talks are generally conducted in English,
on certain occasions though, they might be held in
German or French.

Concept and organisation: Georg Döcker
Moderation: Staff of the Institut für Angewandte
Theaterwissenschaft

Lecture
by ATW TALKS

Past Dates

• 2017-06-28, A118

MON 24/7/2017 • 6.00 PM • A 118
ATW TALKS
KATE MCINTOSH AND MARTINA RUHSAM
TALK ABOUT NON-HUMAN BODIES, AUDIENCE INVOLVEMENT
AND SELF-ORGANISED PRODUCTION

Whether the audience members are dismantling and reconstructing objects, whether they are pulling strings in order to make a sonorous stage set appear or whether they are touching things and materials that are then passed on from hand to hand: in several recent works, Kate McIntosh is curious about the audience-members themselves that she attempts to bodily involve into her performances. Since 2004, the Brussels based choreographer has developed a multifaceted corpus of performance-works for the stage and other spaces, all of them being driven by an interest in the body: be it human, non-human, in movement or involved in an experimental apparatus.

The affiliation of the individual and the communal is another crucial point in Kate's work, both on the level of performance and audience reception as well as on the level of production: together with a group of artists and art-workers she founded the structure SPIN, an artist-run support and research platform in Brussels.
Be welcome to EDITION NO. 17 of the ATW TALKS in which Kate and member of staff Martina Ruhsam will talk about practices of involvement and the crux with participation, the role that non-human bodies play in the works, and working processes of Kate and the nexus of autonomy and community – in the self-organised platform SPIN and beyond.

ATW TALKS • EDITION NO. 17 • Monday, 24/7/2017 • 6.00 PM • ATW, Room A 118, Karl-Glöckner-Straße 21, Phil. II, Haus A, D-35394 Gießen

Taking place in a monthly interval since the end of 2015, the ATW TALKS are an open format for discussion organised by the ATW, the Institut für Angewandte Theaterwissenschaft, Justus-Liebig-Universität Gießen, Germany. The aim of the ATW TALKS is to create a forum for debating contemporary dance, theatre and performance, thereby contributing to the academic and artistic discourse in the city, in the Hessian performing arts scene and beyond. What is often considered an advantage of the ATW is equally true for the talks: hidden away from a general public with its necessity for self-representation, the context in Gießen offers a unique possibility for an intense, extensive and critical exchange. Each edition of the ATW TALKS is moderated by members of staff working at the institute. Invitations are extended to artists and academics from the performing arts and affiliated disciplines. The talks are generally conducted in English, on certain occasions though, they might be held in German or French.

Concept and organisation: Georg Döcker
Moderation: Staff of the Institut für Angewandte Theaterwissenschaft

Lecture
by ATW TALKS

Past Dates

• 2017-07-24, A118

ATW TALKS 
EDITION NO. 18
THU 12/10/2017
5:00 PM
A 118
SILVIA BOTTIROLI AND ROSE BEERMANN 
TALK ABOUT 
THE SINGULARITY OF A FESTIVAL TODAY

What can a festival do? What is the function of a festival in our present situation? This edition of the ATW TALKS takes place in the frame of Diskurs, a festival curated by ATW students which is organised from October 11-15 this year. On the occasion of Diskurs festival, we welcome Silvia Bottiroli for a discussion about her experiences as the former artistic director of the Italian Santarcangelo festival (2012-2016) and about her view on festivals as a theatre scholar and professor at Bocconi University in Milan.

In a time when avant-garde festivals celebrate decades of their existence (steirischer herbst was 50 this year, Kunstenfestivaldesarts looks back at more than 20 years), in a time when the temporal economy of festivals is not the exception but the rule (the 'festivalisation' of the programmes of regular theatre venues being one sign of this development), in a time when artists are more and more disappointed with European conditions of funding and production both in theatres and festivals—what can the singularity and the potential of a festival be? The talk will be hosted by ATW member of staff Rose Beermann.

***

Taking place in a monthly interval since the end of 2015, the ATW TALKS are an open format for discussion organised by the ATW, the Institut für Angewandte Theaterwissenschaft, Justus-Liebig-Universität Gießen, Germany. The aim of the ATW TALKS is to create a forum for debating contemporary dance, theatre and performance, thereby contributing to the academic and artistic discourse in the city, in the Hessian performing arts scene and beyond. What is often considered an advantage of the ATW is equally true for the talks: hidden away from a general public with its necessity for self-representation, the context in Gießen offers a unique possibility for an intense, extensive and critical exchange. Each edition of the ATW TALKS is moderated by members of staff working at the institute. Invitations are extended to artists and academics from the performing arts and affiliated disciplines. The talks are generally conducted in English, on certain occasions though, they might be held in German or French.

ATW TALKS, EDITION NO. 18, Wednesday, 12/10/2017, 5:00 PM 
Institut fuer Angewandte Theaterwissenschaft, Room A 118, Karl-Gloeckner-Strasse 21, Phil. II, Haus A, D-35394 Giessen
Concept and organisation: Georg Doecker
Moderation: ATW members of staff

Lecture
by ATW TALKS

Past Dates

• 2017-10-12, A 118

ATW TALKS
THU 7/12/2017
6:00 PM
A 118
VLADIMIR MILLER AND MIRIAM DREYSSE
TALK ABOUT
"SETTLEMENTS", ARTISTIC PRACTICE, AND COLLABORATION

SETTLEMENTS is the name of a series of open workspaces that Vladimir Miller has been developing over the course of several years, as of late within the framework of his teaching position at a.pass in Brussels, where he recently organised the eleventh edition of the series. Currently, the performance maker, scenographer and video artist is preparing SETTLEMENT 12 which will start in Giessen on January 8 and take place at the ATW. In his function as a guest professor of the ATW, he will work with our students to facilitate a three weeks working period based on key principles such as “encountering processes”, “no spectators”, “gifts”, and “productive instability”.

Reason enough to invite Vladimir for a talk about the project, but also about his more general interest in collaboration. In the past, Vladimir has been working with artists such as Meg Stuart and Philipp Gehmacher, and a residency at Akademie Schloss Solitude in 2015 led him to investigating how “our politics and ideologies of togetherness and collaboration manifest themselves in our spaces of (artistic) practice.” This and other elementary questions of artistic practice will be addressed in a talk hosted by ATW professor Miriam Dreysse.

***

Taking place in a monthly interval since the end of 2015, the ATW TALKS are an open format for discussion organised by the ATW, the Institut für Angewandte Theaterwissenschaft, Justus-Liebig-Universität Gießen, Germany. The aim of the ATW TALKS is to create a forum for debating contemporary dance, theatre and performance, thereby contributing to the academic and artistic discourse in the city, in the Hessian performing arts scene and beyond. What is often considered an advantage of the ATW is equally true for the talks: hidden away from a general public with its necessity for self-representation, the context in Gießen offers a unique possibility for an intense, extensive and critical exchange. Each edition of the ATW TALKS is moderated by members of staff working at the institute. Invitations are extended to artists and academics from the performing arts and affiliated disciplines. The talks are generally conducted in English, on certain occasions though, they might be held in German or French.

Lecture
by ATW TALKS

Past Dates

• 2017-12-07, A 118

Performance
by Konzept, Regie, Performance, Text: Dorn ° Bering (Gesa Bering, Stephan Dorn) | Ausstattung: Annatina Huwiler | Dramaturgische Mitarbeit und Produktion: Martin Bien | Technische Gestaltung: Benedikt Grubel, Carlos Franke

Past Performances

• 2017-08-31, Probebühne 1 | ATW Gießen
• 2017-10-30, final project , Künstlerhaus Mousonturm Frankfurt | Studio 1
• 2017-10-31, Künstlerhaus Mousonturm Frankfurt | Studio 1

Ole Hübner: »Mehrfachbelichtete Melodramen« – »Multi-Exposed Melodramas« (2016/17, WP) – Listening theatre for beatboxing voice artist, audio/video playback, and live electronics
... and compositions by Ondrej Adámek (UA), Gordon Kampe (UA), Erin Gee (UA), Kurt Schwitters, and Georges Aperghis

In the solo project of voice artist Frauke Aulbert beatboxing, the »5th element of hip-hop«, meets contemporary music. Here, in musical and socio-cultural regards, two worlds which both fanatically create art on the fringe of society, and still could not be more different, crash into each other. On three performative layers – vocal artistry, video/light design, and audio electronics – the rhythmical language of beatboxing is translated to neo-avant-garde sonic art.

In »Mehrfachbelichtete Melodramen« by Ole Hübner the – vocally, noisily, percussively – self-expressing subject finds herself in an imaginary scenery of communication and everyday sound. Imitation, addition, manipulation, and not least performative virtuosity are the media to invite the audience to adopt the memory of scenes which have been experienced individually, and to match them with their own experiences and imaginations – to multi-expose them.

Performance
by Frauke Aulbert, Ole Hübner (ATW)

Past Performances

• 2017-06-13, premiere , BKA-Theater am Mehringdamm, Berlin
• 2017-06-18, Theaterhaus Stuttgart, Festival »Der Sommer in Stuttgart«
• 2017-11-03, Festival »Klangwerkstatt«, Berlin
• 2017-11-18, Kaistudio in der Elbphilharmonie Hamburg

Concert
by Decoder Ensemble, Ole Hübner (ATW), Charlotte Bösling (ATW), Malte Giesen, Leopold Hurt, Matthias Kranebitter, Philipp Krebs, Johannes Kreidler, Stefan Prins, Sven Kacirek, incite/, Electric Indigo, Dr. Michael Rebhahn, Benjamin Sprick, Dr. Till Knipper

Past Performances

• 2017-09-01, premiere , resonanzraum Hamburg
• 2017-09-02, Hamburger Botschaft
• 2017-09-02, resonanzraum Hamburg

Boards>>Dark Souls>> Crying...squids?
_krat0s_ 23. May 2012

>>Im in dukes prison...
Killed all the squid things in the bottom to see if I can grab some humanities...
But theres two in the back that struck me oddly, I walked up.... And they’re crying
I feel bad :( anyone know why theyre crying? Seems so bizarre... Poor lil guys

CASCADE is a hideout place on stage - a greenhouse for a dance that’s moving around ever so slowly without going anywhere in particular. It’s like a plant that’s using our perception for photosynthesis. The images are constantly growing and decaying in front of us but nothing ever really changes in this choreographic arboretum unless we want it to. If we look long enough things will get blurry or maybe the light is just fading out (again). In this choreography is turning into a camouflage, exploiting the vulnerability of our visual perception and at the same time uncovering something else that we didn’t see before.

Performance
by Emmilou Rößling, Johannes van Bebber, Filomena Krause, Marie Meyer, Niels Wehr (Tom Engels & Teresa Schönherr )

Past Performances

• 2017-06-28, final project , Probebühne 1
• 2017-09-29, final project , Künstlerhaus Mousonturm FFM
• 2017-09-30, final project , Künstlerhaus Mousonturm FFM

A group of PoC (persons of color) artists accepts an invitation for the collective use of a dance studio space for one week. It is a starting point for collaborations, conversations, and exchanging practices as they respond to the current conditions of producing dance and performance in Berlin. On Thursday, the space opens for the audience to engage and join our on- going dialogue in the format of a salon. Here, we will host Black in Berlin as our special guest. On Sunday is a public showing of our artistic work and practices.

Performance
by Olivia Hyunsin Kim and Sarah Bouars, Zwoisy Mears-Clarke, Nasheeka Nedsreal, Martha Hincapié Charry, Baly Nguyen, Jessica Taylor (Black in Berlin), Idan Sagiv Richter, Enis Turan, and more

Past Performances

• 2017-02-23, Tanzfabrik Berlin, Wedding Studio 3, Uferstudios 23, 13357 Berlin
• 2017-02-26, Tanzfabrik Berlin, Wedding Studio 3, Uferstr. 23, 13357 Berlin

Production
by Oda Zuschneid,
Ausstattung: Daniel Angermayr,
Musik: Jan Preißler,
Performance: Tibor Muth, Sebastian Muskalla, Jan Preißler, Oda Zuschneid,
Konzeptionelle Mitarbeit: Twyla Zuschneid

Past Performances

• 2017-11-04, premiere , Hessisches Landestheater Marburg, Bühne
• 2017-11-07, Hessisches Landestheater Marburg, Bühne
• 2017-11-10, Hessisches Landestheater Marburg, Bühne
• 2017-11-21, Hessisches Landestheater Marburg, Bühne

Project
by Léon Haase, Theresa Moest und Nicholas Zöckler

Past Performances

• 2017-10-11, Johannette-Lein-Gasse 26, 35390 Gießen

In this choreography, objects are the main characters, as well as the camera that looks at them.

The tools of a workshop start dancing. Or the camera dances around them. They move to their own sounds and the music that arises from them. The sound triggers motion and the motion triggers sounds until everything becomes one.

Film
by Regie: Stephan Dorn, Kamera: Sonja Risse

Past Performances

• 2017-02-02, Institut für Angewandte Theaterwissenschaft Gießen
• 2017-06-24, Hessische Theatertage 2018, Staatstheater Darmstadt
• 2017-07-25, Sommerwerft Festival Frankfurt
• 2017-07-30, Hungry Eyes Festival, Georg Büchner Saal, Gießen
• 2017-10-22, Internationales Filmfest Braunschweig
• 2017-11-25, Choreographic Captures Festival, Winterthur/CH
• 2018-01-10, SzólóDuó International Dance Festival, Budapest, Ungarn
• 2018-01-18, Linse - Filmfestival, Ruhruniversität, Bochum
• 2018-04-08, Loikka Dance Film Festival, Helsinki, Finnland
• 2018-04-14, Multiplié dance festival 2018, Trondheim, Norwegen

Performance
by Gregor Glogowski und Benjamin Hoesch

Past Performances

• 2017-04-27, Mousonturm Frankfurt am Main
• 2017-04-27, Mousonturm Frankfurt am Main
• 2017-04-28, Mousonturm Frankfurt am Main
• 2017-04-28, Mousonturm Frankfurt am Main