2006
...um die Leere meiner Rede durch entschlossenes Tun auszufüllen
Duration: about 9 minutes
Voice: Esther Becker
Lyrics: Felicitas Hoppe
Music: Camille
Video
by Anna K. Becker
Past Performances
- 2006-06-28, premiere , Raum A 117
Angenervt und abgedreht – obdachloses Filet lernt Englisch
MiniDramas in the context of "Culture in Biebertal `06":
Episode "Angenervt: Die Englischstunde" (Annoyed: The English Lesson)
Episode "Schweigen"
Episode "Filet"
Episode "Abgedrehte Vorbilder"
With: Gisela Ballmann, Ingrid Bauer, Magdalena Binder, Martin Gaßmann, Ludger Hellmann, Lisa Kornder, Heide Stiller, Susanne Weber, Charlotte Zarniko
Production
by Florian Siebrecht (Regie)
Past Performances
- 2006-04-09, premiere , Bürgerhaus Biebertal
Bernstein Redux
An event by Monster Truck as part of the Kaltstart Festival, Kulturhaus "73", Hamburg
July 23, 2006, 5.00 p.m.
Performance
by Monster Truck
Past Performances
- 2006-07-23, premiere , Kulturhaus "73", Hamburg
black box
With Verena Billinger, Alice Ferl, Sebastian Schulz, Maria Guggenbichler, Maximilian Haas, Philipp Karau, Katharina Runte, Britta Schwem, Jenja Korolov, Nicolas Niot
Narrator: Christian Grammel
Lighting: Camilla Vetters
Sound: Johanna Castell
Video: Mark Schröppel
Performance
by Verena Billinger, Alice Ferl, Sebastian Schulz
Past Performances
- 2006-07-01, premiere , Probebühne
- 2006-07-18, Probebühne
Blick auf das Dorf vom Zentrum aus
webcam installation
Installation
by André Schallenberg
Past Performances
- 2006-05-18, premiere , ATELIER MAI, PACT Zollverein, Essen
BYPASS
Tunnel vision as an optical filter on a scene by the river. The banks of the river Main at night in a different light; for anyone who would like to spend a little time under the Alte Brücke bridge. Before is behind. Good prospects/views looking outwards from town.
Installation
by Stefan Hölscher, Marc Jungreithmeier, Matthias Meppelink, Matthias Mohr, Tobias Rosenberger, Roland Siegwald, Lucie Tuma
Past Performances
- 2006-04-23, premiere , Nordseite Mainufer / Alte Brücke, Frankfurt
DAS KOMMUNISTISCHE MANIFEST NACH KARL MARX UND FRIEDRICH ENGELS
Project
by Studierende des Instituts ATW Gießen mit Studierenden der IUAV University Venezia. Ltg.: Prof. Heiner Goebbels, Prof. Walter Le Moli
Past Performances
- 2006-09-29, premiere , Teatro Due in Parma (Italien)
DER MAJOR ZURÜCK AUS INDIEN
The whole evening ist a disturbing signal, with really sensational effects, stirring up facts we don´t want to know about ourselves. We cast a spell over you and take you with us to the most interesting journey ever: Come and meet Boris Vian, one of the most touching and extraordinary french writer, who´s texts fill up your mind with a tremendous amount of senses of pleasure.Boris Vian came in many forms… Jazzologist, Engineer, Hard Boiled Translator, Soft Boiled Surrealist, Linguist, Singer, Trumpeter, Prisoner, Columnist, Novelist, Artist ... He lived fast and left a beautiful corpse d'esprit.Boris Vian celebrated his extraordinary imagination and astonishing facility with language with a disorganised career of writing, playing music, fixing old cars, throwing and attending parties and attacking any form of pretention or bureacracy.
Help yourself! Read Boris Vian! You´re welcome! Vive la pataphysique!
Reading
by Schweiker, Castell, Karau, Guggenbichler, Stephan
Past Performances
- 2006-05-30, premiere , Probebühne
Der Mann mit dem Tornister
The audience perceives the songs of the last century on the proscenium stage within the greatest possible distance of the uppermost and very back theatre balcony. Great emphasis lies on the production of images, that have their full effect only from the birds perspective. The embedment in a sourround-environment intensifies the theatrical play of closeness and distance.
Project
by Matthias Mohr und Tobias Rosenberger
Past Performances
- 2006-04-30, premiere , Capitol Offenbach
- 2006-12-10, Audimax Uni Giessen
Desert Radar & Desert Radio
Scenic concert on 27.07.2006 at theHochschule für Musik und Darstellende Kunst Frankfurt am Main
Desert Radar & Desert Radio
Music: Sagardia
Production: Rebecca Egeling
with the International Ensemble Modern Academy.
Project
by Rebecca Egeling
Past Performances
- 2006-07-27, premiere , Hochschule für Musik und Darstellende Kunst Frankfurt am Main
DIE KRANKHEIT TOD
Play by Marguerite Duras
Production: Bastian Kraft
Set design: Bernhard Niechotz
dramaturgy: Natalie Fingerhut
Soundtrack: Friederike Kenneweg
With: Nicole Lohfink, Christian Fries
A production of the Stadttheater Gießen in cooperation with the Hessische Theaterakademie
Premiere: September 8, 2006, 8 p.m.
Further dates: Sept. 10 and Sept. 24, both at 8 p.m.
Dates October to December to be announced.
TiL Studio Stage in the Löbershof, Löbershof 8, 35390 Giessen
Production
by Bastian Kraft
Past Performances
- 2006-09-08, final project , TiL Studiobühne im Löbershof, Löbershof 8, 35390 Gießen
Esquisse
Johannes Maria Staud (*1974) - Esquisse retouchée (incipit 2) 2001/2002
für Posaune (mit Bass-Drum)
szenische Einrichtung: Matthias Mohr + Tobias Rosenberger
A trombone player (Uwe Dierksen, Ensemble Modern) in the narrowness of a sound booth. The outer walls become a medial facade. Small surveillance cameras translate the mechanical dynamics of the play to visuals. Outside is inside. Exit - impossible.
Performance
by Matthias Mohr und Tobias Rosenberger
Past Performances
- 2006-08-11, Centralstation Darmstadt
Everytime you walk away you take a peace of me with you
supported by: Robert Bosch- Stiftung
an exhibition and performance over 2 weeks in the gallery in the city center
Performance
by Ana Berkenhoff, Roland Siegwald, Anselm Belser, Patricia Talacko, Tereza Simova
Past Performances
- 2006-09-05, premiere , Galerie Roxy/ TheaterNod Prag
Ferdinand. Kurzfilm nach Shakespeare, Der Sturm
after William Shakespeare, The Tempest
Short film, Germany 2007
Director / Screenplay Andreas Mihan
Camera / Lighting René Liebert
Cast Philipp Karau, Line Spellenberg, Rainer Dohmke, Anna Peschke, Rebecca Egeling, Rostislav Tumanov, Anne Kuhn
Film
by Andreas Mihan (Justus Liebig Universität, Giessen)
Past Performances
- 2006-06-22, Gießen
Grünschnabel
"Strangely, only one minute from here, only one minute from here. The
connections over land are long- to stooped the curves, the airways shorter, but
all skies are deaf. We never opened the first bottle before half past six. Somebody
came over by the boat, another brought potatoes in the backpack. "
Dancetheater
Leaning on Erwin Wurm
and with texts of Evgenij Rejn
by and with Anselm Belser /Ana Berkenhoff /Ana Fanquiero
Keybord, livemix and accordion Jorge Piquer
Production
by Anselm Belser/ Ana Berkenhoff/ Ana Fanquiero/ Keybord, livemix und Akkordeon Jorge Piquer
Past Performances
- 2006-04-26, premiere , 6 international Performance and Experimental Arts Festival, Manege, St. Petersburg, Russia
i was here/ Gescheitelt 2
woo-Haa?
Installation
by SKart-schröppelkarauartrepetiotiontechnologies
Past Performances
- 2006-07-01, premiere , Hinter der Probebühne
Kratzer und Unschärfen.||||||||||||||
Symposium october 27th - 29th 2006, Gießen||||||||||
Scratches and blur.||||||||
|||||||||||approach towards an aesthetic of the imperfect.
The scratch unites wound and tool - ice-scraper and abrasion are methods of revealing the surface. This is marked as such, opens itself while staying undissolved.
The blur names units of space and time that negate and maintain the surface at the same time. In its scattered nature, the blur refers to the plane surface, endangers the matter and, in its vagueness, also protects it. The blur creates measurement just as the measurement creates blur.
Scratches and blur are not limited by the medium - as a scratch in space, a blur in narration, a scratch in time and a blur in perspective, they suspend conventional relationships and allow for new conditions. Their effect is immediate. The gap and permeability of the artworks surface becomes intended provoked, it occurs through scratches - the questioning of the surface emphasises its performativity.||||||||||||||||||||
The work of art can be experienced through scratches and blur, through cords in films, the noise and crackling in recordings or through cracks and fissures in pictures.
How deep must a scratch be to be perceptible? How deep does it have it be to attack the identity, but not integrity, of an artwork? How many scratches can an artwork take? Do they enable authenticity, or do they brand its creation? What are the modes of operation, under what conditions do caesura and fractures appear?Can errors be directed, or is any production of mistakes a strategy to keep them at bay? Does the increased establishment of strategies of the incomplete stand for the decline of systematic utopia, or are new ideals for a post-sovereign ability to act able to emerge?||||||||||||||||||||||
exkurs->d i s k u r s 0 7 is a preceding symposium to the d i s k u r s 0 7 that is dedicated towards the questions surrounding scratches and blur. Doctorates, students and young artists out of a variety of fields will investigate these terms through lectures and artistic work. The approach towards scratches and blur should be carried out interdisciplinary in the reflection of various media and socio-cultural phenomena, by focusing on various (unfocused) details in order to attempt a preparation for an aesthetic of the imperfect. The examining of the artistic and academic work process is of importance, especially in its relationship between theory and practice. exkurs-> sees itself as a network of young artists as well as academic newcomers. We aspire towards a continuing discussion with regards to d i s k u r s 0 7.|||||||||||||||||||||||||
Project
by exkurs->d i s k u r s 0 7
Past Performances
- 2006-10-27, premiere , Gießen
Kunst provocante - Der Besuch der alten Dame
Reading
by Florian Siebrecht (Regie)
Past Performances
- 2006-07-14, premiere , Keltentor / Dünsberg (Gießen)
La Salle Danse
Performance
by Jens Heitjohann, Katharina Kellermann, Björn Auftrag, Matthias Senkel, Hanna Linn Wiegel
Past Performances
- 2006-12-15, premiere , Künstlerhaus Mousonturm, Frankfurt am Main