GCSC
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The (de)colonisation of the archive for the Colombian pluriverse. counter‐narratives from the afro and the indigenous, speculative and science fiction narratology as a methodology for the development of a sentipensante audiovisual anarchive. |
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Burcu Bacanak Şahin |
Encounter of Actors with Diverse Mental Abilities: A Case Study on Theater Thikwa |
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Alexandros Balatsoukas |
From Empire to Nation‐State: The Emergence of Modern Turkey |
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How knowledge about open data is created: analysis of formal international rankings and community‐based practices |
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Hatunnur Ciftci |
House of Terror: Domestic Spaces and Queer Counter‐Spaces in Contemporary British Fiction |
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Changes of transcollective memory structures of the Ovaherero and Nama genocide in the course of recognition processes |
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Mortada Haidar |
Negotiating Identity in Diasporic Lebanese Anglophone Literature of the Post-Civil War Era |
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Millennium Pop – self‐spirituality, globalization, and ecology in mainstream music |
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Cara Illert |
In Pursuit of Happiness? Exploring Forms of the Good Life in Contemporary Anglophone Fiction. |
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Anna Ivanova |
Decommunization in the Urban Space of Ukraine: Discourses, Identities and Symbols |
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The Slapstick Gap ‐ komische Körper und gegenderte Gags im Stummfilm |
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Yauheniya Lekarevich |
Age, Gender, and Agency in Soviet and Post‐Soviet Children’s Literature |
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Siyu Li |
I am immortal: an investigation of parasitism and mutuality in expired food |
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Onur Karaköse |
Dramatizing Mass Shootings on the Contemporary American Stage: Theater and the Public ‐Negotiation of a Nation in Crisis |
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Yuliia Kolisnyk |
Universals and Specific Features of Cliched and Poetic Epitaphs in Slavic Languages |
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Julia Latzel |
Visuelle Interpretationen und Erzeugung von Welt - Künstlerische Reflexionen zu Un‐/Sichtbarkeiten im Dispositiv der Überwachung |
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Blank‐Sign Protests in Light of Past Cultural Interventions of Absence and Monochrome Spaces |
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Tien Phat Nguyen |
Storytelling Techniques in The 21st Century: An Intermedial Approach |
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Natallia Pazniak |
Schreibweisen der Depression in der ukrainischen und belarusischen Gegenwartsliteratur |
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Reiqa Qubailat |
The Invisible Camps: Improvised Refugee Camps: Driving Factors, Impacts, and Recommended Policies |
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Quintero, Tatiana Quintero |
Collective Memory in Colombia: A strategy to reconstruct historical recounts, resist, and re‐exist in ethnic territories |
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Affective Artifacts of Migration: How Images of Migration Influence Human Rights Discourse |
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Bianca Schüller |
Women with Magical Powers in Fairy Tale Retellings from the 19th to the 21st Century: Ideological Implications from a Cognitive Perspective |
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Ana Spasojevic |
Zwischen kulturellen Identitäten und literarischen Traditionen. Interdependenzen von Geschlecht und Narration in Guzel’ Jachinas Roman „Ėšelon na Samarkand“ |
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Tristan Stinnesbeck |
Das postpolitische Subjekt. Der Funktionswandel der Öffentlichkeit aus kultursoziologischer Perspektive |
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Henning Tauche |
Extreme Geschichtsbilder als Herausforderung für die Geschichtsdidaktik –Vergangenheitsdiskurse und strategische Kommunikation in unterschiedlichen Medien der Neuen Rechten |
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Nora Theml |
Sprechen über Heimat ‐ Erinnerungsbilder über Flucht, Vertreibung und Integration in narrativen Interviews mit Vertriebenen und deren Nachkommen in Hessen |
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A Critical Analysis of Irish-American Self-Representations in the Twenty-First Century |
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Bekir Yilan |
Gayaz Isxakiy: Der russländlisch-tatarische Autor und sein Schreiben zwischen Islam, Soziolismus und Nationalismus |