MY HANDS. MY MOTHER’s
MY HANDS. MY MOTHER’s
What remains of somebody? Twenty-three boxes full of objects lost their owner and those objects have an afterlife.
They say memory is a silly dog – you throw a stick to it but it brings back something else. Memories are fragile, sometimes illogical, incoherent, irrevocably incomplete. Yet now, of all that city, I remember only a woman I casually met. There are shadows that surround me, daughter shadows of rigid furniture. They haunt me here in the sun, but they are people. Using these memories is the only way to finish a conversation between two people who will never speak again.
We explore the capacity of objects to recall certain situations. Somehow living is to be other. Seeing is being distant and seeing clearly is to stop. Definitely, to analyse is to be a foreigner. It is as if I found an old portrait, of me, undoubtedly, with a different stature, unknown features, but indisputably mine, dreadfully me. Life is as if we were beaten with it. We will for sure meet again at some party.
Performance
by Objects, recipe – Carmen Sauras de la Llave | Original music and sound design – Bruno Tambascio | Vocals – Malia Bendi Merad, Paloma Lirola | Costumes – Frank Salewski | Light design and technic – Jakob Boeckh | Graphic design – Virginia Gutiérrez del Álamo | Camera – Michael Benett | Film acting – Susie Meyer | Text – Carmen Sauras de la Llave, Barbara Visnevetski, René Char, César Vallejo, Friedrich Nietzsche, Liliane Koch, Adela Bravo Sauras | Text translations and editing – Liliane Koch, Dorothee Krueger, Adela Bravo Sauras | Outside eye – Jacob Bussmann | Preview rehearsals – Frida Laux, Dorothee Krueger | Concept participation – Pietro Righi Riva, Anja Stachelscheid, Alfonso Ruano Canales | Performance, Choreography – Liliane Koch, Adela Bravo Sauras | Concept and idea, stage design and construction, video – Adela Bravo Sauras | Mentoring – Heiner Goebbels, Philipp Schulte | http://nofourthwall.com/index.php?/ongoing/my-hands-my-mothers/ | https://www.facebook.com/events/253870931687012/| Special thanks to Martina Ruhsam, Kris Verdonck, Karin Pelte, Rike Huy, Lisa Charlotte Friederich, Benjamin Hoesch, Julia Stina, Tamara Antonijevic, Eleonora Siarava, Patrick Faurot, Katharina Stephan and her seminar students | Supported by: Kulturamt der Stadt Gießen, Institut für Angewandte Theaterwissenschaft Gießen, Instituto Cervantes Berlin
Past Performances
- 2017-05-08, final project , pb1
- 2017-05-08, final project , pb1
- 2017-05-08, final project , pb1
- 2017-05-08, final project , pb1
- 2017-05-08, final project , pb1
- 2017-05-09, final project , pb1
- 2017-05-09, final project , pb1
- 2017-05-09, final project , pb1
- 2017-05-09, final project , pb1
- 2017-05-09, final project , pb1
- 2017-05-10, final project , pb1
- 2017-05-10, final project , pb1
- 2017-05-10, final project , pb1
- 2017-05-10, final project , pb1
- 2017-05-10, final project , pb1